Introduction
The X100VI is the most recent model of Fujifilm’s now traditional collection of mounted focal size, premium compact cameras. It successfully replaces the four-year-old X100V mannequin, which turned one thing of a TikTok sensation within the final couple of years and was subsequently virtually unimaginable to purchase. It has a 40.2 megapixel, APS-C sized, X-Trans CMOS 5 HR back-side illuminated (BSI) sensor and X-Processor 5 picture processing engine which is twice as quick because the X Processor 4 discovered within the X100V, and an prolonged ISO vary of 64-51,200. This represents a giant megapixel improve from the 26.1mp sensor used within the X100V. Additionally ISO 125, which was an prolonged sensitivity choice on the earlier mannequin, is now accessible natively on the X100VI. It’s able to recording 6.2K/30p and DCI 4K video internally at as much as 60p in 4:2.2 10-bit through HDMI for as much as 45 minutes. Excessive-speed 1080/240p can be accessible. A hard and fast 23mm f/2.0 lens affords a traditional focal size of 35mm (35mm equal), making it a great digital camera for road images and the like. The lens options an optical design that features two aspherical parts for better sharpness and readability. It affords the power to focus carefully at 10cm out of your topic with better sharpness when capturing wide-open, and a Tremendous EBC coating has been utilized to assist suppress lens flare and ghosting. The lens continues to be precisely the identical measurement as earlier lenses and is due to this fact nonetheless suitable with the legacy WCL/TCL conversion lenses, while retaining its inner 4-Cease ND filter. It could shoot blackout-free at 20fps with steady phase-detect auto-focus and auto-exposure when utilizing the digital shutter with a 1.29x crop utilized and affords 15fps steady capturing when utilizing the mechanical shutter. This digital camera has a phase-detection autofocus system which affords 117 selectable factors that cowl nearly all the sensor space and it could possibly mechanically detect animals, birds, vehicles, bikes, bicycles, airplanes, trains, bugs, and drones due to the X-Processor 5’s AI deep studying capabilities. Different key options embody 5-axis in-body picture stabilisation (IBIS) which supplies as much as 6 stops of compensation, the model new Reala Ace movie simulation mode, an Superior Hybrid Viewfinder with a mixed 0.52x OVF and three.69m-dot OLED EVF, a two-way tilting 3.0-inch 1.62m-dot LCD touchscreen and a four-stop ND filter that works for each stills and video. It may be made weather-resistant when paired with the non-compulsory AR-X100 Adapter Ring and PRF-49 weather-sealing safety ring. The Fujifilm X100VI is offered from March 2024 in both Black or Silver priced at £1599 / $1599 / €1800 for the digital camera physique solely within the UK, US and Europe respectively. It’s designed and manufactured in China. To rejoice Fujifilm’s ninetieth anniversary, an X100VI Restricted Version mannequin can be accessible, restricted to 1,934 items worldwide. These limited-edition fashions are individually numbered and delivered in a particular field with strap, delicate launch button and historical past playing cards. The digital camera physique is engraved with the unique Fujifilm company model brand from 1934, together with the distinctive serial quantity.
Ease of Use
I first used (and acquired) the unique X100 digital camera manner again in 2011, simply as smartphones had been stepping into their all-conquering stride. Quick ahead 13 years, and seemingly little or no has modified with the discharge of the sixth-generation X100VI, no less than externally.
It is honest to say that for those who’re a long-time person of the X100-series than you will not discover too many main variations between all the fashions on the subject of their in measurement, weight or management layouts.
This new mannequin nonetheless shares the very related svelte, trendy retro DNA of the X100, simply constantly refined by Fujifilm as they’ve labored their manner via the X100, X100S, X100T, X100F, X100V and now the X100VI.
Every one has shared the identical core traits of a giant APS-C sensor and a 23mm f/2 mounted lens, and the brand new 2024 model isn’t any totally different in both of those respects.
The roughly two-year life-span of every new X100 launch was interrupted by Covid, so the X100VI is successfully changing a 4-year-old digital camera.
Outwardly Fujifilm have performed issues very secure, as you would be hard-pressed to inform the distinction between the VI and V when them side-by-side from any angle.
This new model is ever so barely deeper (by 2mm!) and it is heavier by 43g than its predecessor, a essential improve because of the inclusion of in-body picture stabilisation (IBIS) for the very first time on an X100-series digital camera.
IBIS makes it simpler to hand-hold the digital camera and nonetheless get sharp outcomes, offering round 6 stops of compensation for each stills and video (5.5 stops when utilizing the optical viewfinder), significantly rising its versatility in low-light conditions the place its predecessor might have struggled.
The brand new X100VI concentrates on delivering sheer decision and excessive ranges of element by utilising precisely the identical 40-megapixel X-Trans CMOS 5 HR sensor that first made its debut within the Fuji X-series digital camera vary with the X-H2.
It is a BSI (back-side illuminated) sensor design that has far more of a deal with element and backbone than out-and-out pace.
It affords a giant improve in decision in comparison with the X100V, permitting you to crop far more aggressively than earlier than, or to expand prints at related resolutions.
The X100VI affords precisely the identical burst capturing charges because the X-T5 mirrorless mannequin. They will each shoot at 20fps when utilizing the digital shutter with a 1.29x crop utilized, and each provide the identical 15fps steady capturing pace when utilizing the mechanical shutter.
The buffer measurement is 117 JPEGs or 52 compressed RAW information earlier than the continual capturing charge begins to decelerate.
To assist with capturing the exact second, the X100VI has a intelligent Pre-shot burst capturing mode, with the digital camera always filling the buffer whilst you half-press the shutter button, after which holding the newest 20 frames taken 0.5-1 seconds earlier than a full press of the shutter button, eliminating any digital camera and human-added delay. Be aware that this function solely works with the digital shutter.
The X100VI truly has two sorts of shutter, mechanical and digital. When utilizing its mechanical leaf shutter, it has a high shutter-speed restrict of 1/4000th second in all capturing modes.
It significantly improves the quickest shutter pace for the digital shutter by 2.5 stops, from 1/32,000 sec on the earlier technology X100V to a outstanding 1/180,000 sec on the X100VI.
This lets you go away the aperture large open in very brilliant circumstances reminiscent of a sunny seashore or a ski slope, or to seize a split-second movement. You may proceed capturing wide-open with quick aperture lenses within the brightest of circumstances with out having to resort to becoming a glass ND filter or utilizing an exterior flash and lights.
It is all very effectively having the ability to report at 20fps, however until the digital camera can shortly, precisely and reliably deal with no matter fast-moving topic you are attempting to seize, it is all for nothing.
Fortunately, though the brand new X-T5 has the identical hybrid autofocus system with as much as 117 selectable section detection and and distinction detections factors as its predecessor, Fujifilm have made a few vital enhancements to make it the very best X100-series AF system but.
Chief amongst these is the inclusion of subject-based computational AI, with the X100VI having the ability to mechanically detect animals, birds, vehicles, bikes, bicycles, airplanes, trains, bugs, and drones.
You do should particularly select which of these you wish to monitor from the Topic Detection Setting menu, however you’ll be able to simply register totally different settings to the digital camera’s varied customized modes.
Turning this function on resulted in a super-high hit charge when it comes to auto-focusing, with the digital camera typically capable of deal with the topic earlier than we would even noticed it ourselves.
The improved autofocus prediction algorithm and significantly the topic detection modes assist to make sure that the overwhelming majority of your photographs are sharp.
The 40 megapixel sensor additionally permits the X100VI to report 6.2K/30p video with a modest 1.23x crop recorded in 4:2:2 10-bit internally.
It helps DCI 4K/60p recording at as much as 30p from the sensor’s full with or at as much as 60p with a 1.14x crop, and may shoot 1080/240p slow-motion footage. It additionally affords the F-Log 2 profile with as much as 14+ stops of dynamic vary.
Mixed with a suitable HDMI recording gadget from Atomos or Blackmagic Design, 12-bit RAW video output will be recorded as Apple ProRes RAW or Blackmagic RAW.
There’s additionally a digital zoom perform that makes use of the digital camera’s 40.2MP sensor to ship as much as 2x of digital zoom with little to no loss in decision when recording video in 4K.
Sadly, the the X100VI would not have a Nonetheless/ Film change for altering between these modes, as on the X-T5 and different X-series fashions. As an alternative the Film mode continues to be relatively buried away on the finish of the Drive menu, which has at all times been relatively incongruous.
The digital camera does no less than swap between devoted in-camera menu techniques whenever you change modes, so you do not have to scroll via extreme video choices when all you wish to do is images, and vice versa, and the menu system for each disciplines is very well laid out.
A pleasant contact is that the entrance and rear management wheels can be utilized quietly in film mode to make adjustments to publicity settings, even throughout seize. Along with the touchscreen menu, most different key video controls reminiscent of white stability and picture stabilisation will be adjusted too.
The digital camera is now outfitted with a monitoring AF perform throughout film recording – simply faucet the topic on the LCD display screen and the digital camera will mechanically preserve it in focus.
Be aware that though its extra well-appointed for video, there’s nonetheless no full measurement HDMI port or 3.5mm headphone socket on the X100VI.
The X100VI has precisely the identical 1.62M dot LCD touchscreen as its predecessor, a 2-way tilting unit that makes it simpler to shoot at each waist-level and while holding the digital camera above your head.
It could now be tilted barely additional all the way down to 45˚ and pulled barely additional away when turned upwards, however you continue to cannot tilt it out to the aspect, which might have been ideally suited for video use.
With a view to clean over any objections to the tilting display screen, Fujifilm have gone to nice lengths to successfully disguise it by making an extremely skinny display screen (simply 4.4mm) that sits flush in opposition to the rear of the digital camera. Certainly, if it wasn’t for the slight indent and tab within the backside left nook that is used for pulling it outwards, you’d in all probability suppose that the display screen was mounted in place.
One other key function of the X100 collection that has been retained is the hybrid viewfinder. This long-standing function affords a body protection of 95% and 0.52x magnification.
Equally, the digital viewfinder is identical too, being 0.5-inch in measurement while providing 3.69M dot decision, 0.66x magnification and a refresh charge of 100fps.
Similar to the mannequin earlier than it, the Fuji X100VI is weather-sealed, one thing that additional provides to its versatility as a go-anywhere road digital camera.
There may be nonetheless fairly a giant catch, although – while the digital camera physique is totally weather-sealed out of the field, the lens is not, requiring the acquisition and becoming of the non-compulsory PRF-49 protecting filter with the AR-X100 adapter ring to totally defend it from the weather.
Fujifilm have stated that they did not wish to make the digital camera larger and costlier by making the lens weatherproof out-of-the-box. Whereas that is commendable, having to buy costly equipment that make the digital camera larger and heavier is not precisely a great resolution for anybody who wish to shoot within the rain or dusty environments.
The X100VI affords a complete of 20 Movie Simulation modes, together with the model new ‘REALA ACE’ mode, which makes its X-series debut on the X100VI and supplies extra trustworthy color replica coupled with high-contrast tonality.
This digital camera options each built-in wi-fi and Bluetooth connectivity. The latter choice creates a relentless, low-power connection between the digital camera and a smartphone/pill to switch photographs and video utilizing the Fujifilm Digital camera Distant smartphone app.
The previous means that you can remotely management the digital camera through both a 2.4Ghz or 5GHz wi-fi connection utilizing a smartphone or pill and the Fujifilm app, and switch photographs and video from one gadget to the opposite.
Battery life has been marginally improved regardless of utilizing precisely the identical NP-W126S battery because the X100V and the X100F, up from 350/420 frames when utilizing the EVF/OVF to 360/450 frames on the X100VI.
The X100VI will also be powered and charged through a USB-C connection, which is helpful for those who’re out and about and have a suitable power-bank to plug the digital camera into. It makes use of the newer Sort C commonplace which additionally permits it for use as a port for a exterior headphones, utilizing an adapter.
Moderately infuriatingly, the one SD reminiscence card slot that is housed within the battery compartment on the underside of the digital camera nonetheless solely helps the slower UHS-I commonplace, relatively than UHS-II, a shocking omission on a 2024 digital camera.
Picture High quality
All the pattern photographs on this evaluate had been taken utilizing the 40.2 megapixel Advantageous JPEG setting, which provides a mean picture measurement of round 18Mb.
The Fujifilm X100VI produced photographs of excellent high quality. It information noise-free JPEG photographs from ISO 64 as much as ISO 3200, with a bit of noise at ISO 6400 and extra seen noise on the sooner settings of ISO 12800 and 25600 (ISO 51200 is greatest prevented), a tremendous efficiency for a digital camera with a 40 megapixel APS-C sensor. The RAW information had been additionally wonderful, exhibiting extra noise than their JPEG counterparts however nonetheless producing very usable photographs from ISO 64-6400.
The night time {photograph} was wonderful, with the utmost shutter pace of 30 seconds being lengthy sufficient for many after-dark photographs, and the Bulb mode permitting for much longer exposures if required. The Dynamic Vary and HDR settings subtly enhance element within the shadows and highlights, whereas the in depth vary of Movie Simulation modes hark again to a bygone period, and the Superior Filters let you have a bit of enjoyable together with your photographs in-camera.
Noise
There are 11 full ISO settings accessible on the Fujifilm X100VI for JPEGs and RAW information. Listed below are some 100% crops which present the noise ranges for every ISO setting.
JPEG
RAW
ISO 64
ISO 64
ISO 125
ISO 125
ISO 200
ISO 200
ISO 400
ISO 400
ISO 800
ISO 800
ISO 1600
ISO 1600
ISO 3200
ISO 3200
ISO 6400
ISO 6400
ISO 12800
ISO 12800
ISO 25600
ISO 25600
ISO 51200
ISO 51200
File High quality
The Fujifilm X100VI has 2 totally different picture high quality settings accessible, with Advantageous being the very best high quality choice. Listed below are some 100% crops which present the standard of the assorted choices, with the file measurement proven in brackets.
Advantageous (18Mb) (100% Crop)
Regular (9.1Mb) (100% Crop)
RAW (85.5Mb) (100% Crop)
Dynamic Vary
The Fujifilm X100VI has three dynamic vary settings – 100% (on by default), 200%, and 400% – and an Auto setting if you wish to let the digital camera take management.
These settings step by step improve the quantity of element seen within the shadow and spotlight areas, with the side-effect of extra noise showing within the picture. Be aware that you would be able to’t truly flip this function off. All three settings can be found from ISO 500 upwards.
100%
200%
400%
HDR
The Fujifilm X100VI has a Excessive Dynamic Vary mode with 5 totally different settings – AUTO, 200%, 400%, 800%, 800%+. The digital camera takes three photographs with totally different exposures, altering the shutter pace for each, after which combining them in-camera.
Off
Auto
200%
400%
800%
800+%
Movie Simulations
The Fujifilm X100VI affords 20 totally different movie simulation modes to assist replicate the look of your favorite movie inventory from the previous, together with the model new Reala Ace.
Provia / Commonplace
Velvia / Vivid
Astia / Comfortable
Basic Chrome
Reala Ace
Professional Neg. Hello
Professional Neg. Commonplace
Basic Neg.
Nostalgic Neg.
Eterna / Cinema
Eterna Bleach Bypass
Acros
Monochrome
Sepia
Superior Filters
The Fujifilm X100VI affords 13 totally different artistic filter results that are discovered within the Drive menu.
Toy Digital camera
Miniature
Pop Colour
Excessive-Key
Low-Key
Dynamic Tone
Comfortable Focus
Partial Colour (Purple)
Partial Colour (Orange)
Partial Colour (Yellow)
Partial Colour (Inexperienced)
Partial Colour (Blue)
Partial Colour (Purple)
A number of Publicity
The Fujifilm X100VI’s A number of Publicity mode combines as much as 9 totally different photographs collectively in-camera to create one composite picture, with 4 alternative ways of mixing them – Additive, Common, Shiny, Darkish.
Pattern Pictures
It is a number of pattern photographs from the Fujifilm X100VI digital camera, which had been all taken utilizing the 40 megapixel Advantageous JPEG setting. The thumbnails under hyperlink to the full-sized variations, which haven’t been altered in any manner.
Pattern RAW Pictures
The Fujifilm X100VI allows customers to seize RAW and JPEG format information. We have offered some Fujifilm RAW (RAF) samples so that you can obtain (thumbnail photographs proven under aren’t 100% consultant).
Pattern Motion pictures & Video
It is a pattern 6.2K film on the high quality setting of 6240×3150 pixels at 30 frames per second. Please be aware that this 15 second film is 108Mb in measurement.
It is a pattern 4K film on the high quality setting of 3840×2160 pixels at 60 frames per second. Please be aware that this 16 second film is 107Mb in measurement.
It is a pattern Full HD 8x slow-motion film on the high quality setting of 1920×1080 pixels at 240 frames per second. Please be aware that this 110 second film is 272Mb in measurement.
Product Pictures
Conclusion
13 years have handed for the reason that debut of the unique X100, and right here we’re with the launch of the sixth technology, which appears remarkably much like all of its predecessors.
Fujifilm have definitely caught with the tried and examined system that has served the collection so effectively, and who can blame them when the X100V has been one among, if not the, greatest promoting digital camera of of the final two years?
To be honest to Fujifilm, they may have chosen to only promote as many X100Vs as they may produce with a purpose to fulfill the seemingly insatiable demand that is been fanned by social media influencers.
As an alternative, they’ve launched a wholly new model that may be a particular enchancment on the outdated one, while not rocking the boat an excessive amount of in order to place off all these would-be consumers who could not pay money for the X100V for love nor cash.
By far the very best new function on the Mark VI mannequin is in-body picture stabilisation (IBIS), which makes the digital camera far more versatile in low mild than its predecessor. The truth that Fujifilm’s engineers have managed to include it with solely a really slight improve in measurement and weight is the proverbial icing on the cake.
The opposite vital change is the incorporation of Fujifilm’s newest picture sensor and processor combo, little doubt made to assist preserve manufacturing prices down throughout the digital camera vary.
The 40 megapixel sensor affords the dual advantages of a lot better decision and 6K video, while the processor considerably introduces subject-recognition AF, all options beforehand seen on different X-series fashions however by no means featured earlier than on the X100.
Whether or not you really want bird-detection AF on a digital camera with a 35mm mounted focal size lens is probably one other matter fully, as is the truth that the video mode continues to appear like an after-thought on what may be very a lot a stills-focused digital camera, and we will not actually forgive the UHS-I SD card slot on what’s in any case a brand new 2024 digital camera.
With a reported 1/2 million pre-orders in China alone, it is clear that the brand new VI is definitely set to proceed the current monumental success of the X100-series. It might symbolize an evolution of the blueprint relatively than a revolution, however that hardly appears to matter when simply producing sufficient X100s of any form appears to be the order of the day…
Scores (out of 5)
Design
5
Options
4.5
Ease-of-use
4.5
Picture high quality
5
Worth for cash
4
Major Rivals
Listed under are among the rivals of the Fujifilm X100VI.
The brand new Canon PowerShot G5 X Mark II is a premium compact digital camera that is clearly been re-designed to tackle the all-conquering Sony RX100 collection of cameras while providing some class-leading options of its personal, together with an extended zoom lens, touchscreen interface and larger grip. Uncover what’s new in our Canon PowerShot G5 X Mark II evaluate, full with full-size pattern photographs and movies…
Canon’s PowerShot G7 X Mark III is a model new compact digital camera that provides a number of bang on your buck, for each stills photographers and vloggers alike. Discover out simply what the most recent technology of this digital camera is able to by studying our in-depth Canon PowerShot G7 X Mark III evaluate, full with full-size pattern JPEG and Uncooked photographs…
The brand new Fujifilm X-S20 goals to be a hybrid mirrorless digital camera for the plenty, providing 6K video, 26 megapixel stills, a selected capturing mode for vloggers and lengthy battery life, all in a small, well-built physique. Is the XS20 the last word do-it-all digital camera? Discover out now by studying our in-depth Fuji XS20 evaluate full with full-size pattern photographs and movies.
The Fujifilm X-T5 is the successor to the very fashionable X-T4 which was launched in 2020, principally including a brand new 40 megapixel sensor, 160 megapixel Pixel Shift Multi-Shot mode, 6.2K video recording and higher auto-focusing. Can the brand new XT5 enhance on what was already an impressive digital camera? Discover out now by studying our in-depth Fujifilm X-T5 evaluate…
As its identify suggests, the brand new X100V represents the fifth technology of Fujfilm’s now traditional 35mm mounted lens premium compact digital camera collection. The brand new Fuji X100V makes use of precisely the identical 26 megapixel sensor and X-Processor 4 as the remainder of the most recent X-series cameras, and likewise provides weather-proofing, a revised lens design, tilting LCD touchscreen and 4K video recording into the wealthy combine. Learn our in-depth Fujifilm X100V evaluate now, full with full-size pattern photographs and movies…
The D-Lux 7 is Leica’s model new premium compact digital camera, that includes a comparatively giant Micro 4 Thirds sensor and a quick 3.1x zoom lens. Is that this the very best pocket digital camera in the marketplace? Discover out now by studying our Leica D-Lux 7 evaluate, full with full-size pattern photographs.
The Leica Q3 is a compact digital camera like no different, with a 60 megapixel full-frame sensor, 8K/30p video recording, hybrid AF system and a 28mm f/1.7 mounted lens all housed in a conventional physique. Is that this the last word software for road and panorama images? Discover out now by studying our in-depth Leica Q3 evaluate, full with full-size pattern pictures and movies…
The Panasonic Lumix LX100 II is the successor to one among our favorite compact cameras of all time, the ahead-of-the-game LX100, which was launched manner again in 2014. Learn our in-depth Panasonic LX100 II evaluate with pattern JPEG, RAW and video information to search out out if we charge it simply as extremely as the unique…
The brand new GR III is a major replace of Ricoh’s fashionable GR premium compact digital camera collection, providing a 28mm mounted focal size lens, 3-axis picture stabilisation system, giant 24 megapixel APS-C sensor, 1080/60p video recording, 3 inch LCD touchscreen, flash hotshoe, and built-in wifi and bluetooth connectivity. Learn our in-depth Ricoh GR III evaluate full with full-size JPEG and RAW pattern photographs to search out out if this digital camera nonetheless has what it takes in 2019…
Evaluate Roundup
Evaluations of the Fujifilm X100VI from across the net.
Out of all of the cameras that Fujifilm has produced through the previous 12 years, the X100 collection and the X-Professional collection are the cameras which have at all times been my instruments of the commerce. I’ve seen the 2 traces develop extra full with each new iteration, to the purpose the place I assumed that Fujifilm couldn’t enhance upon the X100V. It has been that good to me.
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For the previous few days, I’ve been testing a vogue accent: the Fujifilm X100VI. I’d wish to in any other case name it the very best toy digital camera of 2024. To be frank, the deepest feelings inside me wish to label this digital camera because the embodiment of the phrase “meh.” At the very least, that’s one of the simplest ways that I can describe the one which I’m utilizing.
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The Fujifilm X100VI, pronounced “Six”, is Fujifilm’s newest X100-series digital camera. The earlier X100V is notorious for a mess of causes, notably for combining beautiful retro styling with fashionable high-spec digital imaging. It’s been featured on quite a few movies, gone viral on TikTok, and as a consequence of excessive demand, has been extremely laborious to search out.
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Specs
Mannequin identify
FUJIFILM X100VI
Picture sensor
23.5mm x 15.7mm (APS-C) X-Trans CMOS 5 HR with main colour filter
Variety of efficient pixels
40.2 hundreds of thousands pixels
Sensor Cleansing System
Extremely Sonic Vibration
Picture Processing Engine
X-Processor 5
Storage media
SD Card (-2GB) / SDHC Card (-32GB) / SDXC Card (-2TB) / UHS-I*Please see the Fujifilm web site (https://fujifilm-x.com/help/compatibility/cameras/) to examine reminiscence card compatibility.
File format of nonetheless picture
DCF
Compliant with Design rule for Digital camera File system (DCF2.0)
JPEG
Exif Ver.2.32*1
HEIF
4:2:2 10bit
RAW
14bit RAW (RAF authentic format)
TIFF
8bit / 16bit RGB (In-camera Uncooked Conversion Solely)
Variety of recorded pixels
［L］
〈4:3〉 6864 x 5152 〈3:2〉 7728 x 5152 〈16:9〉 7728 x 4344 〈1:1〉 5152 x 5152 〈5:4〉 6432×5152
［M］
〈4:3〉 4864 x 3648 〈3:2〉 5472 x 3648 〈16:9〉 5472 x 3080 〈1:1〉 3648 x 3648 〈5:4〉 4560×3648
［S］
〈4:3〉 3456 x 2592 〈3:2〉 3888 x 2592 〈16:9〉 3888 x 2184 〈1:1〉 2592 x 2592 〈5:4〉 3264×2592
Panorama［L］
〈vertical〉2160 x 9600 〈Horizontal〉9600 x 1440
Panorama［M］
〈vertical〉2160 x 6400 〈Horizontal〉6400 x 1440
Lens
Sort
FUJINON single focal size lens
Focal size
f=23mm (35mm format equal : 35mm)
Max. aperture
F2.0
Lens configuration
8 parts in 6 teams (contains 2 aspherical parts)
ND filter
Sure (4 stops)
Aperture
F2 – F16 1/3EV step (managed with 9-blade aperture diaphragm)
Focus vary
Approx. 10cm to infinity / 3.9in. to infinity
Conversion lens
WIDE / TELE / OFF
Digital Tele-Converter
70mm* / 50mm* / 35mm*(Nomal)*35mm fomat equal
Sensitivity
Nonetheless Picture
Commonplace Output: AUTO1 / AUTO2 / AUTO3 / ISO125～12800 (1/3 step)Prolonged Output: ISO64 / ISO80 / ISO100 / ISO25600 / ISO51200
Film
Commonplace Output: AUTO / ISO125～12800 (1/3 step)Prolonged Output: ISO25600
Publicity management
TTL 256-zone metering / Multi / Spot / Common / Heart Weighted
Publicity mode
P (Program AE) / A (Aperture Precedence AE) / S (Shutter Velocity Precedence AE) / M (Guide Publicity)
Publicity compensation
Nonetheless
-5.0EV～+5.0EV 1/3EV step
Film
-2.0EV～+2.0EV 1/3EV step
Picture stabilizer
Mechanism
Picture sensor shift mechanism with 5-axis compensation
Compensation Impact
6.0 stops*primarily based on CIPA commonplace*Pitch/yaw shake solely*When capturing with EVF/LCD
Digital Picture Stabilization
Sure (film mode solely)
IS MODE BOOST
Sure (film mode solely)
Shutter kind
Lens Shutter
Shutter pace
Mechanical shutter
P mode: 30sec. to 1/4000sec. A mode: 30sec. to 1/4000sec. S/M mode: 15min. to 1/4000sec. Bulb: as much as 60min.
Digital shutter
P mode: 30sec. to 1/180000sec. A mode: 30sec. to 1/180000sec. S/M mode: 15min. to 1/180000sec. Bulb: 1sec. Mounted
Mechanical + Digital shutter
P mode:30sec. to 1/180000sec. A mode:30sec. to 1/180000sec. S/M mode:15min. to 1/180000sec. Bulb:as much as 60min.*Mechanical shutter works till 1/4000sec.
Film
6.2K: 1/4000sec. to 1/24 sec. 4K/DCI4K: 1/4000sec. to 1/24 sec. FHD: 1/4000sec. to 1/24 sec.*Can not select slower shutter pace than framerate for some settings.
Steady capturing
CH Digital shutter Approx. 20fps (1.29x Crop) (No. of recordable frames: JPEG 117 frames, Compressed RAW 52 frames, Lossless compressed RAW 35 frames, Uncompressed RAW 17 frames, Compressed RAW + JPEG 25 frames, Lossless compressed RAW + JPEG 22 frames, Uncompressed RAW + JPEG 17 frames)CH Digital shutter Approx. 13fps (1.29x Crop) (No. of recordable frames: JPEG 146 frames, Compressed RAW 57 frames, Lossless compressed RAW 36 frames, Uncompressed RAW 17 frames, Compressed RAW + JPEG 38 frames, Lossless compressed RAW + JPEG 33 frames, Uncompressed RAW + JPEG 17 frames)CH Digital shutter Approx. 10fps (1.29x Crop) (No. of recordable frames: JPEG 163 frames, Compressed RAW 59 frames, Lossless compressed RAW 36 frames, Uncompressed RAW 18 frames, Compressed RAW + JPEG 36 frames, Lossless compressed RAW + JPEG 33 frames, Uncompressed RAW + JPEG 17 frames)CH Digital shutter Approx. 13fps (No. of recordable frames: JPEG 80 frames, Compressed RAW 38 frames, Lossless compressed RAW 24 frames, Uncompressed RAW 17 frames, Compressed RAW+JPEG 25 frames, Lossless compressed RAW+JPEG 18 frames, Uncompressed RAW+JPEG 17 frames)CH Digital shutter Approx. 8.9fps (No. of recordable frames: JPEG 84 frames, Compressed RAW 38 frames, Lossless compressed RAW 24 frames, Uncompressed RAW 17 frames, Compressed RAW+JPEG 29 frames, Lossless compressed RAW+JPEG 25 frames, Uncompressed RAW+JPEG 17 frames)CH Mechanical shutter Approx. 11fps (No. of recordable frames: JPEG 38 frames, Compressed RAW 33 frames, Lossless compressed RAW 21 frames, Uncompressed RAW 17 frames, Compressed RAW+JPEG 28 frames, Lossless compressed RAW+JPEG 23 frames, Uncompressed RAW+JPEG 17 frames)CH Mechanical shutter Approx. 8.0fps (No. of recordable frames: JPEG 76 frames, Compressed RAW 35 frames, Lossless compressed RAW 21 frames, Uncompressed RAW 17 frames, Compressed RAW+JPEG 28 frames, Lossless compressed RAW+JPEG 23 frames, Uncompressed RAW+JPEG 17 frames)CL Mechanical shutter Approx. 6.0fps (No. of recordable frames: JPEG 97 frames, Compressed RAW 36 frames, Lossless compressed RAW 23 frames, Uncompressed RAW 18 frames, Compressed RAW+JPEG 29 frames, Lossless compressed RAW+JPEG 22 frames, Uncompressed RAW+JPEG 18 frames)CL Approx. 5.0fps (No. of recordable frames: JPEG 110 frames, Compressed RAW 42 frames, Lossless compressed RAW 25 frames, Uncompressed RAW 18 frames)CL Approx. 4.0fps (No. of recordable frames: JPEG 184 frames, Compressed RAW 48 frames, Lossless compressed RAW 26 frames, Uncompressed RAW 19 frames)CL Approx. 3.0fps (No. of recordable frames: JPEG 504 frames, Compressed RAW 57 frames, Lossless compressed RAW 29 frames, Uncompressed RAW 20 frames)Pre-shot Digital shutter Approx. 20fps (1.29x Crop) (No. of recordable frames: Whereas half press 20 frames, After full press 135 frames, Whole 155 frames)Pre-shot Digital shutter Approx. 13fps (1.29x Crop) (No. of recordable frames: Whereas half press 13 frames, After full press 177 frames, Whole 190 frames)Pre-shot Digital shutter Approx. 10fps (1.29x Crop) (No. of recordable frames: Whereas half press 10 frames, After full press 240 frames, Whole 250 frames)Pre-shot Digital shutter Approx. 11fps (No. of recordable frames: Whereas half press 11 frames, After full press 79 frames, Whole 90 frames)Pre-shot Digital shutter Approx. 8fps (No. of recordable frames: Whereas half press 8 frames, After full press 102 frames, Whole 110 frames)*Recordable frames relies on recording media*Velocity of steady capturing relies on capturing setting and capturing frames
Drive Mode
AE Bracketing
2 frames / 3 frames / 5 frames / 7 frames / 9 frames*by 1/3EV step, as much as ±3EV steps
Filmsimulation bracketing
Any 3 kinds of movie simulation selectable
Dynamic Vary Bracketing
100% / 200% / 400%
ISO sensitivity Bracketing
±1/3EV / ±2/3EV / ±1EV
White Stability Bracketing
±1 / ±2 / ±3
Focus Bracketing
AUTO / MANUAL
A number of Publicity
Sure (Max. 9 frames) / Additive / Common / Shiny / Darkish
HDR Mode
AUTO / 200% / 400% / 800% / 800% +
Superior filter
Toy digital camera / Miniature / Pop colour / Excessive-key / Low-key / Dynamic tone / Comfortable focus / Partial colour (Purple / Orange / Yellow / Inexperienced / Blue / Purple)
Focus
Mode
Single AF / Steady AF / MF
Sort
Clever Hybrid AF (TTL distinction AF / TTL section detection AF)
Low-light Efficiency
Distinction: -2.0EVPhase Detection: -5.0EV
AF body choice
Single level AF: 13×9 / 25×17 (Changeable measurement of AF body)Zone AF: 3×3 / 5×5 / 7×7 / Custom1-3 from 117 areas on 13×9 gridWide/Monitoring AF: Sure (AF-S: Huge / AF-C: Monitoring)All: Sure
Face/eye detection
Sure
Topic detection
Sure (Animal/Chicken/Car/Bike&Bike/Airplane/Prepare)
Flash
Constructed-in flash
Auto flash [Super Intelligent Flash]Information Quantity: approx. 4.4 (ISO100・m)Efficient vary(ISO1600): approx. 30cm – 7.4m/1.0ft. – 24.3ft.Sync. Mode: 1st Curtain / 2nd CurtainFlash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / COMMANDER / OFF
Shoe mount flash
Sync. Mode: 1st Curtain / 2nd CurtainFlash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / MULTI *When EF-X500 is about / OFF
Scorching shoe
Sure (Devoted TTL Flash suitable)
Viewfinder (Hybrid viewfinder)
OVF: Reverse Galilean viewfinder with digital brilliant body displayCoverage of Body Space v.s. Capturing Space: approx. 95percentMagnification: approx x0.52
Viewfinder
EVF: 0.5 inch OLED Colour Viewfinder, Approx. 3.69 million dotsCoverage of Viewing Space vs. Capturing Space: Approx. 100percentEyepoint: Approx. 16.8mm (from the Rear Finish of the Digital camera’s Eyepiece)Diopter Adjustment: -4～+2m-1Magnification: 0.66x with 50mm Lens (35mm Equal) at infinity and Diopter set to -1.0m-1Diagonal Angle of View: approx. 32° (Horizontal angle of view: approx. 27° )Constructed-In Eye Sensor
LCD monitor
3.0 inch tilting contact display screen colour LCD monitorAspect Ratio: 3:2Dots: Approx. 1.62 million dots
Contact Display screen Mode
Capturing Mode
Capturing, AF, Focus Space, OFF, Double Faucet Setting (ON/OFF), Contact Operate Setting (ON/OFF), EVF Contact Display screen Space Setting
Playback Mode
Swipe, Pinch-in / Pinch-out, Double-tap, Drag
Film recording
File format
MOV:HEVC/H.265, Linear PCM (Stereo sound 24bit / 48KHz sampling)MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling)MP4:MPEG-4 AVC/H.264, AAC
Film compression
Lengthy GOP
File sizeFrame rateBitrate
[6.2K(16:9)] 6240 x 3150 29.97p/25p/24p/23.98p 200Mbps/100Mbps/50Mbps[DCI4K HQ(17:9)] 4096 x 2160 29.97p/25p/24p/23.98p 200Mbps/100Mbps/50Mbps[4K HQ(16:9)] 3840 x 2160 29.97p/25p/24p/23.98p 200Mbps/100Mbps/50Mbps[DCI4K(17:9)] 4096 x 2160 59.94p/50p/29.97p/25p/24p/23.98p 200Mbps/100Mbps/50Mbps[4K(16:9)] 3840 x 2160 59.94p/50p/29.97p/25p/24p/23.98p 200Mbps/100Mbps/50Mbps[Full HD(17:9)] 2048 x 1080 59.94p/50p/29.97p/25p/24p/23.98p 200Mbps/100Mbps/50Mbps[Full HD(16:9)] 1920 x 1080 59.94p/50p/29.97p/25p/24p/23.98p 200Mbps/100Mbps/50Mbps[Full HD(17:9) High speed rec.] 2048 x 1080 240p/200p/120p/100p 200Mbps (recording)[Full HD(16:9) High speed rec.] 1920 x 1080 240p/200p/120p/100p 200Mbps (recording)*For recording films, use a SD reminiscence card with UHS Velocity Class 3 or increased.*Selectable bitrate shall be modified relies on the setting.*Recording time can develop into brief relying on the temperature and/or capturing circumstances
Movie simulation mode
20 modes (PROVIA/Commonplace, Velvia/Vivid, ASTIA/Comfortable, Basic Chrome, REALA ACE, PRO Neg.Hello, PRO Neg.Std, Basic Neg., Nostalgic Neg., ETERNA/Cinema, ETERNA BLEACH BYPASS, ACROS, ACROS + Ye Filter, ACROS + R Filter, ACROS + G Filter, Black & White, Black & White + Ye Filter, Black & White + R Filter, Black & White + G Filter, Sepia)
Monochromatic Colour
Sure
Grain Impact
Roughness
STRONG, WEAK, OFF
Dimension
LARGE, SMALL
Colour Chrome Impact
STRONG, WEAK, OFF
Colour chrome Blue
STRONG, WEAK, OFF
Clean Pores and skin Impact
STRONG, WEAK, OFF
Dynamic vary setting
Nonetheless
AUTO / 100％ / 200％ / 400％ISO restriction: DR100%: No restrict、DR200%: ISO250 or extra、DR400%: ISO500 or extra
Film
100％ / 200％ / 400％ISO restriction: DR100%: No restrict、DR200%: ISO250 or extra、DR400%: ISO500 or extra
White stability
Auto
White Precedence / Auto / Atmosphere Precedence
Customized
Custom1 – 3
Colour temperature choice
2500K～10000K
Preset
Daylight / Shade / Fluorescent Gentle-1 / Fluorescent Gentle-2 / Fluorescent Gentle-3 / Incandescent Gentle / Underwater
Readability setting
±5 steps
Self-timer
Nonetheless
10sec. / 2sec.
Film
10sec. / 5sec. / 3sec.
Interval timer capturing
Sure (Setting : Interval, Variety of photographs, Beginning time, Interval timer capturing publicity smoothing, Interval precedence mode)
Wi-fi transmitter
Commonplace
IEEE802.11a/b/g/n/ac (commonplace wi-fi protocol)
Encryption
WPA/WPA2 blended mode, WPA3
Entry mode
Infrastructure
Bluetooth®
Standartd
Bluetooth Ver. 4.2 (Bluetooth low vitality)
Working frequency (Heart frequency)
2402～2480MHz
Terminal
Digital interface
USB Sort-C USB 10Gbps
HDMI output
HDMI Micro connector (Sort D)
Others
Microphone / shutter launch enter: ø2.5mmHot shoe
Energy provide
NP-W126S Li-ion battery (included)
Battery life for nonetheless photographs*2
Financial system Mode: Approx. 360 / 450 frames (EVF / OVF)Regular Mode: Approx. 310 / 450 frames (EVF / OVF)
Precise battery lifetime of film seize*2
6.2K: Approx. 45min. (29.97p)4K: Approx. 45min. (59.94p)Full HD: Approx. 50min. (59.94p)、Approx. 55min. (120P)*Face detection is about to OFF
Continuance battery lifetime of film seize*2
6.2K: Approx. 70min. (29.97p)4K: Approx. 70min. (59.94p)Full HD: Approx. 85min. (59.94p)*Face detection is about to OFF
Dimensions
Width: 128.0mmHeight: 74.8mmDepth: 55.3mm(Minimal Depth: 33.2mm)
Weight
together with battery and reminiscence card: Approx. 521gexcluding battery and reminiscence card: Approx. 471g
Operation Atmosphere
Working Temperature
0℃～+40℃
Working Humidity
10% – 80% (no condensation)
Equipment included
Li-ion battery NP-W126SUSB cableShoulder strapMetal strap clipClip attaching toolProtective coverLens capHot shoe coverOwner’s guide
*1 Exif 2.32 is a digital digital camera file format that accommodates quite a lot of capturing data for optimum printing
*2 Approximate variety of frames or film recording time that may be taken with a fully-charged primarily based on CIPA Commonplace.
Media Rec (SD reminiscence card)
Decision/Facet
Dimension
Body charge
File format/Compression
Bit charge*1
Bit depth
HDMI outuptResolution(Body charge)/Sampling/Bit depth
Crop Magnification
DIS ON
DIS OFF
6.2K 16:9
6240 x 3510
29.97p25.00p24.00p23.98p
H.265 Lengthy GOP 4:2:2 MOVH.265 Lengthy GOP 4:2:0 MOV
200Mbps100Mbps50Mbps
10bit
FHD 4:2:2 10bit (When H.265 Lengthy GOP 4:2:2 MOV chosen)*24K 4:2:2 10bit (When H.265 Lengthy GOP 4:2:0 MOV chosen)*2
Notpossible
1.23x
DCI4K HQ 17:94K HQ 16:9
4096 x 21603840 x 2160
29.97p25.00p24.00p23.98p
H.265 Lengthy GOP 4:2:2 MOVH.265 Lengthy GOP 4:2:0 MOV
200Mbps100Mbps50Mbps
10bit
DCI4K/4K 4:2:2 10bit
Notpossible
1.23x
H.264 Lengthy GOP 4:2:0 MOVH.264 Lengthy GOP 4:2:0 MP4
200Mbps100Mbps50Mbps
8bit
DCI4K/4K 4:2:2 8bit
Notpossible
1.23x
DCI4K 17:94K 16:9
4096 x 21603840 x 2160
59.94p50.00p29.97p25.00p24.00p23.98p
H.265 Lengthy GOP 4:2:2 MOVH.265 Lengthy GOP 4:2:0 MOV
200Mbps100Mbps50Mbps
10bit
DCI4K/4K 4:2:2 10bit
1.1x
59.94p/50.00p:1.14×29.97p/25.00p/24.00p/23.98p:1.0x
H.264 Lengthy GOP 4:2:0 MOVH.264 Lengthy GOP 4:2:0 MP4
200Mbps100Mbps50Mbps
8bit
DCI4K/4K 4:2:2 8bit
1.1x
59.94p/50.00p:1.14×29.97p/25.00p/24.00p/23.98p:1.0x
FHD 17:9FHD 16:9
2048 x 10801920 x 1080
59.94p50.00p29.97p25.00p24.00p23.98p
H.265 Lengthy GOP 4:2:2 MOVH.265 Lengthy GOP 4:2:0 MOV
200Mbps100Mbps50Mbps
10bit
FHD 4:2:2 10bit*3
1.1x
59.94p/50.00p:1.14×29.97p/25.00p/24.00p/23.98p:1.0x
H.264 Lengthy GOP 4:2:0 MOVH.264 Lengthy GOP 4:2:0 MP4
200Mbps100Mbps50Mbps
8bit
FHD 4:2:2 8bit*3
1.1x
59.94p/50.00p:1.14×29.97p/25.00p/24.00p/23.98p:1.0x
Excessive speedFHD 17:9FHD 16:9
2048 x 10801920 x 1080
240fps(4×/8×/10×)200fps(4×/8×)120p (2x/4x/5x)100p (2x/4x)
H.265 Lengthy GOP 4:2:2 MOVH.265 Lengthy GOP 4:2:0 MOV
200Mbps (when recording)
10bit
FHD(59.94p) 4:2:2 10bit*4
Notpossible
1.23x
H.264 Lengthy GOP 4:2:0 MOVH.264 Lengthy GOP 4:2:0 MP4
200Mbps (when recording)
8bit
FHD(59.94p) 4:2:2 8bit*4
HDMI Output
Decision/Facet
Dimension
Body charge
HDMI outuptResolution/Sampling/Bit depth
Crop Magnification
DIS ON
DIS OFF
6.2K 16:9
6240 x 3510
29.97p25.00p24.00p23.98p
FHD 4:2:2 10bit*2
Notpossible
1.23x
DCI4K HQ 17:94K HQ 16:9
4096 x 21603840 x 2160
29.97p25.00p24.00p23.98p
DCI4K/4K 4:2:2 10bit
Notpossible
1.23x
DCI4K 17:94K 16:9
4096 x 21603840 x 2160
59.94p50.00p29.97p25.00p24.00p23.98p
DCI4K/4K 4:2:2 10bit
1.1x
59.94p/50.00p:1.14×29.97p/25.00p/24.00p/23.98p:1.0x
FHD 17:9FHD 16:9
2048 x 10801920 x 1080
59.94p50.00p29.97p25.00p24.00p23.98p
FHD 4:2:2 10bit *3
1.1x
59.94p/50.00p:1.14×29.97p/25.00p/24.00p/23.98p:1.0x
HDMI Output (Excessive pace REC HDMI ONLY)
Decision/Facet
Dimension
Body charge
HDMI outuptResolution(Body charge)/Sampling/Bit depth
Crop Magnification
DIS ON
DIS OFF
FHD 16:9
1920 x 1080
120p100p
FHD(120p/100p) 4:2:2 10bit
Notpossible
1.23x
*1 Bit charge shall be modified rely on the topic
*2 The decision from HDMI output is totally different from chosen setting
*3 When the facet ratio is just not 16:9, the picture is output in 16:9 with a black band.
*4 The body charge from HDMI output is totally different from chosen setting
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